To begin the drawing workout, I experimented with new techniques of mark-making. Firstly, I used ink to make stamp prints from found objects, including a sponge, tissue and a willow stick. This created an interesting mix of textures and the marks seem to have a life of their own because the ink was slightly diluted and dripped. I like the sense of movement this created and I could use this type of mark making to add life into my drawings. I then explored the frottage technique and made charcoal rubbings of different textures I found in the room. This process revealed some interesting lines and shapes, which reflect the texture of each object. I could use this technique in my work to link by drawings back to the original objects and surroundings.
I used some of the frottage to add texture into my collage of a humanoid figure. I reimagined body parts and everyday objects to create a distorted figure. Most of the elements are unexpected, such as the cameras for eyes and this makes the image intriguing. I like the mix of drawings and images from magazines because it feels eclectic and I could use that chaotic energy in my work.
Finally, I made some observational charcoal drawings of hands, feet and a head, which I then joined together to from disproportionate figures. I added animalistic features of a rhino's head and feet, and a bird's wings to create my own mythical creatures. These sketches are unusual and I like that the hybrid of human and animal features makes the viewer question what makes us human- is it just our body parts or something more spiritual? I could use mythical creatures to raise these questions about humanity in my project. Alternatively, they could portray animals gaining human characteristics and losing their sense of natural freedom. The rhino's hands are oversized and heavy and the bird is grounded by its huge feet- perhaps this demonstrates the responsibility that comes with being human, as we have to consider morals rather than just instincts.
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